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A colourway that reaches the catalogue has usually been through three checks and at least one rejection. Here is what kills the ones nobody sees.

Three things we hear about fiberglass all the time. Two are wrong, one is fair, and the fair one is the reason we tell buyers to look at a piece in person.

Amethyst Cloud Mane Panda took four tries. How we name the collection, the rules we broke, and the names we regret.

Fiberglass is more forgiving than people think. A realistic guide to what's fixable, what leaves a trace, and what doesn't.

No manual, no assembly, no surprises. A short list of what arrives with a figure and what deliberately doesn't.

Matte helps, but a 120 cm figure still has highlights. Where to put the light, where to put the camera, and what to avoid.

It isn't a round number in inches and it isn't arbitrary. How we landed on one standard height for the whole collection.

The label changes what people expect from a piece. Where our figures sit on that line, and why we stopped arguing about it.

A 120 cm figure is not a bigger version of a shelf figure. Five things worth deciding before you spend this kind of money.

Airbrush, hand, batch of paint. Three reasons the same character comes out slightly different twice, and how much variation is normal.