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110 characters is too many to browse. A short guide to how the themes are split and which one tends to suit which kind of buyer.

We group our characters into 19 themes because 110 ungrouped figures is not browsable. The themes aren’t marketing categories invented afterwards; they’re how the designs actually get made, in batches that share a mood.
Fantasy & Guardian is the largest at 14 characters, and it’s where the sculpting is most ambitious: wings, halos, staffs, translucent elements. If you want a piece that reads from across a room, start here.
Food & Kitchen and Street & Urban are nine each and share a tendency toward props. Aprons, instruments, goggles, bags. Those props are what make the characters legible, and they’re also the parts that take longest to pack.
Forest & Season is nine as well, mostly greens and muted tones. These are the pieces that survive a bright room best, for the reasons in Sunlight Does More Damage Than Dust.
Space & Retro Future, Mechanical and Classic Panda have two or three characters each. They’re small because the idea is narrow, not because they’re less finished. Classic Panda is deliberately reduced: no props, no pattern, just the silhouette, and it’s the hardest category to get right because there’s nothing to hide behind.
Don’t start with the character. Start with the room. A figure that’s going into a bright, warm, busy kitchen wants something from Food & Kitchen or Garden & Green, and a figure going into a quiet hallway with one lamp on it wants a dark fantasy piece or a monochrome classic.
Then think about who else lives there. Characters have faces, and a face in a room is a presence. Some people find the grinning ones comforting and some find them tiring after a month. The quiet characters, the ones looking slightly off to the side, are the safer long-term buy.
And if you’re stuck, pick the one whose colour you’d want on a wall. You’ll be looking at it for years.

Amethyst Cloud Mane Panda is the piece that started the fantasy theme, and it’s still the one people photograph most.